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SEX and the Indian Temples

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SEX and the Indian Temples  We Indians even have a god for sex - Kama. So it is only natural that we have erotic sculptures on our temples. There have been many questions raised on the reason behind having erotic sculptures and sexual imagery in a place otherwise considered so 'holy' and 'pure'. There are a few theories floating about but the most popular one seems to be that in order to enter a place so pure, you need to relieve yourself of all your desires and lust. It is by acceptance of lust and desire in you that you can learn to control it. Furthermore, these sculptures are always on the outer walls of temples meaning that the humans need to leave their desires outside before stepping in. In many Indian manuscripts, sex was considered to be spiritual and not hedonistic. There are many such theories but the fact remains that these temples are known more for their erotic sculptures than the deities residing inside. 1. Khajuraho, Madhya Pradesh The most f
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Different Folk Songs of Assam

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A ssam has a unique pride of place when it comes to traditional folk songs and music. Region-wise  however, these traditional songs and music have their own distinct styles and forms, and they differ in their rendition patterns, thanks to different cultures in different parts of the state. Yet, all these combine together to make the colourful composite Assamese culture. And, even as we march towards modernity, these very folk traditions reflect our cultural identity.  Historians claim that a distinctive culture of the conglomeration of Songs, Musical Instruments and Dance was observed in Assam during the 2nd century. The legend of Princess Usha of Sonitpur and her cohort  Chitralekha  also enlighten us on the Musical expertise of the Assamese women. History also claims that Assamese Music was admired even in China. Goalpariya songs are a major component of the Assamese folk traditions. With a distinctive style, these folk songs instantly touch the inner chords of listeners
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Piya Se Naina:Amir Khusro - A journey of different moods

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Amir Khusro Khusro was born in 1253 A.D. in Patiyala, India, His paternal ancestors belonged to the nomadic tribe of Hazaras from Transoxiana, who crossed the river Indus and migrated to India in the thirteenth century. Khusro's father served the Sultan of Delhi, Shamsuddin Il-tutmish, in a high position, and Amir Khusro was educated in theology, Persian and the Quran. From his mother who was of Hindustani origin and from his maternal grandfather he acquired both, an intimacy with the local languages as well as a rooting in the immediate cultural ambiance  When his father died when Khusro was only eight he came under the care of his maternal grandfather. Ab'ul Hasan Yamin al-Din Khusrow (Persian: / Urdu ابوالحسن یمین‌الدین خسرو‎; Hindi: अबुल हसन यमीनुद्दीन ख़ुसरौ), better known as Amir Khusrow (or Khusrau) Dehlawi was an Indian musician, scholar and poet. He was an iconic figure in the cultural history of the Indian subcontinent. A Sufi mystic and a spiritual disci
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